Smoke Fired Candlesticks set of two-II
A simply simple taper holder, tapered to hold various sizes (even candles that someone left in the studio while the kiln was firing so they got all off straight and wonky). Lovely for dried flowers as well (they are hollow so do not hold water).
Each listing is for a specific set, photographed from several sides and angles.
All similar but thrown at ease, not precisely measured. They are staggered in size. Pairs and sets reveal themselves after the fire has its way with them.
Approximately 4” tall, 1” across the widest part of the rim and immediately narrowing.
Thrown in a light porcelain stoneware combined clay and fired once in the studio kiln, draped in organic material from the chicken coop: wood shavings, droppings, errant feathers, grain and seeds, clippings from the garden, tucked into individual pouches of aluminum then fired in the studio yard pit where the combustibles ignite to create layers and depth, marking and masking in turn, smoke penetrating bare clay leaving abstract impressions and manifesting a galaxy in a single pot.
Pit fired pottery is unglazed, these are waxed and buffed on the exterior.
A simply simple taper holder, tapered to hold various sizes (even candles that someone left in the studio while the kiln was firing so they got all off straight and wonky). Lovely for dried flowers as well (they are hollow so do not hold water).
Each listing is for a specific set, photographed from several sides and angles.
All similar but thrown at ease, not precisely measured. They are staggered in size. Pairs and sets reveal themselves after the fire has its way with them.
Approximately 4” tall, 1” across the widest part of the rim and immediately narrowing.
Thrown in a light porcelain stoneware combined clay and fired once in the studio kiln, draped in organic material from the chicken coop: wood shavings, droppings, errant feathers, grain and seeds, clippings from the garden, tucked into individual pouches of aluminum then fired in the studio yard pit where the combustibles ignite to create layers and depth, marking and masking in turn, smoke penetrating bare clay leaving abstract impressions and manifesting a galaxy in a single pot.
Pit fired pottery is unglazed, these are waxed and buffed on the exterior.
A simply simple taper holder, tapered to hold various sizes (even candles that someone left in the studio while the kiln was firing so they got all off straight and wonky). Lovely for dried flowers as well (they are hollow so do not hold water).
Each listing is for a specific set, photographed from several sides and angles.
All similar but thrown at ease, not precisely measured. They are staggered in size. Pairs and sets reveal themselves after the fire has its way with them.
Approximately 4” tall, 1” across the widest part of the rim and immediately narrowing.
Thrown in a light porcelain stoneware combined clay and fired once in the studio kiln, draped in organic material from the chicken coop: wood shavings, droppings, errant feathers, grain and seeds, clippings from the garden, tucked into individual pouches of aluminum then fired in the studio yard pit where the combustibles ignite to create layers and depth, marking and masking in turn, smoke penetrating bare clay leaving abstract impressions and manifesting a galaxy in a single pot.
Pit fired pottery is unglazed, these are waxed and buffed on the exterior.
Each piece of LULA Pottery is made by my hands, and you should expect to see natural variations brought about by human touch.
$5 of every purchase $35 and over is donated directly to the World Central Kitchen-See Giving page for details.